Spider Man 4 dies so that Warcraft may live

I don’t really care about the news that the Spider Man franchise under Sam Raimi’s hand is over, except for the much more important fact that it frees Raimi to work on the Warcraft movie instead. As Harry says at AICN,

I feel confident in saying that the next film we’ll see from Raimi is going to be WARCRAFT… which after AVATAR, the concept of world building that particular universe could be astonishing – especially in 3D – especially after what Cameron just unleashed upon the globe. World creating Science Fiction & Fantasy… done by visionary filmmakers … well, it is a premium. We got THE HOBBIT coming, looks like an AVATAR 2… but the word I hear is that today – the phone lines were burning between a certain legendary locale and Raimi’s folks about firing up the furnaces to forge the weapons of war.

Some time in the next few months, I expect progress. I’ve heard that Robert Rodat (SAVING PRIVATE RYAN, THE PATRIOT) has put together one helluva script.

A movie technology arms race between Jackson, Cameron and Raimi with the Hobbit, Avatar and Warcraft franchises is going to be one fun hell of a ride.

Just look at this again – click on it, zoom in, and really look at it – and imagine it on the big screen, alive:

WarCraftArtSmall.jpg

Cowboy Bebop

Just started Cowboy Bebop via Netflix. It’s amazing. It’s clear how Firefly was inspired by this in so many ways. Theres not much to say at this point but it’s just spectacular on every axis – animation, story, characters. It’s really rare to see a science fiction treatment based in the Solar System and the terraformed moons and planets provide a huge canvas for the story. And yet you still have those 2001: Space Odyssey moments in the blackness and emptiness of space as well. The last episode I just watched even had a taste of Alien. It’s not all knockoffs but a really fresh take on these kinds of stories. Absolutely brilliant.

Does Pixar have a gender problem?

This argument by blogger Caitlin says yes. But I find it unconvincing, because frankly if you zoom out to animated storytelling as a whole, you realize that there’s acually a shortage of normal male characters, not female. Disney is the perfect counterexample – apart from Aladdin, there isn’t a single boy character that is worthy of role model or morality model status. You just have a succession of generic princes and eye candy. Beauty and the Beast was just the inversion of Aladdin, with Belle playing Aladdin’s role and the Beast equivalent to Jasmine (in terms of plot relevance and narrative focus).

In fact Pixar explicitly set out to rectify that imbalance and I think that there’s a diversity on the types of male characters that we’ve seen in their films. Caitlin’s list is very helpful in summarizing them, and I think it’s clear that the male characters in these stories are all of different types. But more to the point, Pixar movies aren’t just about individuals, but their relationships, in a way that Disney movies never were. Toy Story and Monsters, Inc were about male friendship, Bug’s Life about a man and his role in society, Finding Nemo about a father and son, UP about youth and ageing, The Incredibles simultaneously about a man and his family, and a man and his wife (and I think Caitlin gives Helen really short-shrift here). Cars is really a paean to a lifestyle, and the NASCAR life is just a metaphor for our fast-paced existence whereas life in Radiator Springs represents that essence that gets left behind; in that context it was reasonable for McQueen to be male and Sally to be female because these are symbolic roles. I hated Ratatouille. As for WALL-E, it was a simple love story, beauty and the beast (or geek, rather) all over again and again the gender roles were absolutely appropriate here.

I’ll also note that the one glaring omission on the Pixar male relationship lineup was a story about brothers, but Disney’s Brother Bear nailed that so perfectly that I don’t think we ever need to see another movie on that topic again.

The bottom line is that there’s a body of work here that does indeed have a gender focus, but that’s valuable. It doesnt take away from the enjoyment of these movies by little girls – of which I have two. As a male myself I feel that in general, female relationships are always the focus far more than make ones – usually its female characters who are better defined and have the more interesting issues and relatonships.

My advice to Caitlin is that if you want to go looking for strong female characters, then look at anime, particularly Miyazaki. I cant really think of a memorable male anime character at all. Well, maybe a few – Spike from Cowboy Bebop, the brothers from Fullmetal Alchemist, and Light from Death Note. But these are exceptions to teh rule – mahou shoujo rules. Haibane, Dreamers, Sugar, anyone? Again, I have two girls of my own 🙂

Netflix coming to Wii

This was expected, and welcome news indeed: Netflix streaming is coming to the Wii in March.

Screw the Roku or popbox, man, between my DVD player and Wii I’ve got 95% of my bases covered now. And the Wii’s lack of HD support isn’t a big deal – for streaming, standard-def is actually better anyway, and most TV is still standard def anyway.

I think the console makers need to realize that they could basically swallow the market share of devices like Roku, Boxee, popbox, etc whole just by adding software support for video formats, a USB port, and WiFi to their next generation consoles.

I just logged into my netflix acct and reserved my Netflix Wii disc which unlocks the streaming. Ships automatically to my address! one click.

a solution to the Leno vs Conan problem

as regards to the arcane conflict over at NBC about where to stick Leno and how to stiff Conan, ably summarized by the latter in his own words here (hey Conan, apology accepted, btw), I offer a humble solution in all earnestness that should preserve egos, reputations, and ratings alike. May it be so.

(disclosure – I dont really watch late-night TV. Warcraft, anime, etc…)

anime version of Dante’s Inferno

AICN has some trailers of the anime version of Dante’s Inferno coming out in a couple of weeks. They provide some minimal detail, but its enough to raise my interest:

On February 9th, Anchor Bay will be releasing Dante’s Inferno: An Animated Epic on Blu-ray and DVD. The anthology, with work from and Production IG (Kill Bill animated sequence), Dongwoo (Batman: Gotham Knight), Manglobe (Ergo Proxy, Samurai Champloo), JM Animation (“Avatar: The Last Airbender”), tie-ins to EA’s upcoming Divine Comedy inspired action-adventure game.

Interesting lineage. The Batmanime was in my opinion pretty uneven (I hated the Tekkon Kinkreet animation style used in part of it). But I *loved* Samurai Champloo‘s style (even though I never got around to doing a full review after I finished it).

Boxee and Popbox gunning for Roku

I’ve prevously mentioned the Roku digital player as a game changer for home entertainment, but haven’t actually bought one yet. It looks now like there’s some serious competition to Roku, which is of course a good thing. The first is Boxee, which has a software-only variant you download to yor PC and also actual hardware slated for release this year. Like Roku, the Boxee box has simple connections for your TV, has built-in wifi, and USB for external drives. Boxee also has an SD card slot and intriguingly, a full QWERTY keyboard on the back of the remote. It isn’t clear if Boxee supports Netflix or the Amazon video store, but unfortunately Boxee was forced to yank Hulu support recently. Boxee is expected to cost about $200, which about twice what Roku costs.

The other challenger to Roku is popbox, which is an evolution of the Popcorn Hour box which Nick has been using (and promising to blog about for ages! *nudge* *nudge*). The popbox looks to be a simpler deice than Popcorn Hour’s flagship model the C-200, and promises support for pretty much every file format out there (including MKV, which doesn’t seem to be supported by Roku). Popbox will support netflix, and also crunchy roll which pretty much screams “otaku buy me!” – and its price is more comparable to Roku at $129 (available in March). The only downside is that it doesn’t come with wifi included, you have to shell out a little for that.

So, whats a prospective consumer like me to do? The ideal device for me would be to support every possible format (like popbox), built-in wifi (like boxee and roku), and be priced no higher than $150. And of course netflix support is the key. Its worth noting that both popbox and boxee also will have app development platforms so presumably someone could add support for other services. I also imagine that Roku isn’t going to sit back withouut any competitive response; if Roku could add MKV support then I’d probably still favor it over these other more featured, but more complicated and expensive, options. That has to be a simple firmware or software update, I imagine.

Regardless, it’s great to see how this market is coming along. With the death of disc imminent, it’s where the future is. You can easily imagine someone taking a BD player and adding a Roku to it and making a complete convergence device. In fact, what if Nintendo were to do that with Wii v2.0 – have it be a BD player like the PS3 and also support all these features in software? Given all the hype about mobile device convergence (camera+phone+PDA+apps) it makes sense that we would see a trend towards convergence in our living rooms. Theres no reason I should have to have a separate device for DVDs, games, and digital entertainment. The PS3 is closest to this now, in fact – but its expense still sets it apart. A fully converged device as I describe above, my hypothetical Wii 2.0, shoudl be priced no higher than $300 to really make inroads.

Related: article on Popbox at Electronista

the shrinking world of anime

An interesting discussion at Pete’s and Steven’s has me thinking that the trend for anime is one whihch basically dooms DVDs to extinction (and why are we even talking about VHS anymore?). The problem is not just limited to titles that aren’t available in North America, but even titles which may technically be available but utterly impractical to obtain. Case in point – my beloved, $5-from-Walmart copy of Totoro has gone missing (unwillingly, unlike last time). I decided I’d buy a new copy – preferably one with all the extras – and guess what? It’s out of print. The only way to get my Totoro fix for my kids is to download a torrent (and watch on our TV via our USB-enabled DVD player). I fully expect to buy a Roku or equivalent device this year to tap into my Netflix on-demand account, which will also open the door to torrent convenience (though the demise of Mininova is a roadblock – I’ll have to start actually participating at bakabt or some other community now). Even titles which are available at Best Buy, like the complete Kino’s Journey, are absurdly expensive and the sad reality is that the pricing of anime makes most of it out of reach for anyone who has mouths to feed and bills to pay. Without torrents, the few purchases I can afford to make – Haibane, Sugar, etc – would never have happened.

Ultimately, anime is a hobby and not a necessity. But if we are limiting anime to only those who can afford to play by the industry’s rules, then anime will die. It’s really just the torrenters keeping it alive right now. That sounds paradoxical but it’s fundamental reality about the new era of digital content. Give it away, build an audience, and then hope some of them will buy for posterity. Assuming you’re making decent quality anime in the first place…

Incidentally, this story about Boxee being forced to give up on Hulu is pretty emblematic of the thorny issues of control being fought out in the marketplace. The anime industry is just a bit player in all of this.

Willow goes to Azeroth

Unfortunately I got stuck on the Earth for rather longer than I intended. I came for a week and was stranded for fifteen years. — Ford Prefect

These words of warning apply equally well to Azeroth as Earth, as does the Guide entry which read in full, “Mostly Harmless”. That mostly bit is key, as G Willow Wilson is discovering.

The thing that gets me is this: there is nothing original about this game. Somebody mixed a little steampunk into Tolkien’s Middle Earth, changed a few names (high elves are night elves; hobbits are gnomes; trolls are troggs–the L’s replaced with a letter a mere 4 spaces away on the keyboard) and went to town. From a storytelling angle, everything about WoW is a rehash of something older and better.

But the sheer richness of the digital environment is so impressive that you don’t even begin to care. The other day (day? night? In my delirium I can’t remember) I was running along a frozen river in my little gnomish avatar when I heard the sound of bells. Around the bend came a blue-skinned elf. We stood there for a long moment, looking at each other, and then ran on, each bent on her own errand.

It was almost poetic.

Indeed, as was the occasions when I (or rather, my lvl 50 warrior toon) literally rode up on a white horse to save her little gnome mage from something or other. The sheer artisanship of the game makes even mundane encounters, epic in a way.

Meanwhile, on my flight back to Chicago from Abu Dhabi, I became acquainted with the TV show “How I Met Your Mother”. It’s amazing how WoW crops up in pop culture nowadays:

The Geminid Meteor Shower peaks tonight

The Geminids are coming tonight!

“It’s the Geminid meteor shower,” says Bill Cooke of NASA’s Meteoroid Environment Office. “and it will peak on Dec. 13th and 14th under ideal viewing conditions.”

A new Moon will keep skies dark for a display that Cooke and others say could top 140 meteors per hour. According to the International Meteor Organization, maximum activity should occur around 12:10 a.m. EST (0510 UT) on Dec. 14th. The peak is broad, however, and the night sky will be rich with Geminids for many hours and perhaps even days around the maximum.

Cooke offers this advice: “Watch the sky during the hours around local midnight. For North Americans, this means Sunday night to Monday morning.”

Geminids are pieces of debris from a strange object called 3200 Phaethon. Long thought to be an asteroid, Phaethon is now classified as an extinct comet. It is, basically, the rocky skeleton of a comet that lost its ice after too many close encounters with the sun. Earth runs into a stream of debris from 3200 Phaethon every year in mid-December, causing meteors to fly from the constellation Gemini: sky map.

As the NASA page explains, the Geminids are relatively recent in origin, first appearing in the early 19th century, and have been gradually intensifying since then, because Jupiter’s gravity has been pulling the debris stream towards Earth’s orbit.

The reason meteor showers interest me is not the light show (truthfully, I’ve seen very few, due to viewing conditions or simply missing them) but rather the cometary aspect of them. Meteors are comets’ bones. I’ve been obsessed with comets since grade school. I remember making every effort I could to see Halley’s comet when I was 12 years old, but the geometry of that sighting was suboptimal – all I remember is a light smudge. I’m hoping that when I turn 87, I’ll have a better show.

For more information on the 2009 Geminids, see the International Meteor Organization’s live tally page, which is already recording an increase in sightings.