Fundamentally, Spock is the central character of Star Trek. His presence connects space, time, and reality. He has appeared before TOS and after DS9; he has appeared as an infant and an adult; he has appeared in an alternate timeline (Prime) and an alternate Universe (Mirror); he has appeared on screen with himself, he has died, he has been reborn, he has suffered the loss of his mind, he has suffered the loss of his brain. There is no axis of star Trek that can omit Spock.
Consider also that even putting aside the visual retcon of Star Trek: Discovery, Spock as a character has been played by a total of eight actors, two of which played Spock in his prime (Nimoy and Quinto). Spock is akin to Superman – a character who is instantly iconic and recognized, even though the face changes.There was no angst about Zachary Quinto’s portrayal on par with the angst currently suffusing Star Wars fandom over casting Alden Ehrenreich as Solo. We, the Trek collective, did not even have any real issue with Quinto-Spock receiving personal effects of Nimoy-Spock including the iconic cast photograph in which the visual discrepancy between all of the bridge crew was simply presented on screen without explanation or fuss. It simply was. It simply is.
Spock must appear in Season 2. We can quibble over warp nacelle shapes and surface veneer when it comes to the Enterprise, but even the critics of that design choice still had at least one heart palpitation at seeing the original NCC-1701 grace a television screen again for the first time in decades. Spock, however, is beyond debate.
Consider this a proposal, not a formal whitepaper, for an initial coin offering of a new cryptocurrency, Otakucoin.
Otakucoin (OUC) is intended to be used to support Otaku who write reviews of anime, science fiction, and other television and film fiction, as a measure of credibility and authority. It is therefore analogous to Reddit gold and Medium claps, i.e. can be bought in order to be given, or sold after accumulation.
I am still planning the technical backend and the details. Some references are below. I encourage anyone who is interested in participating to contact me by leaving a comment in this thread. This isn’t a get-rich-quick scheme, it’s an excuse to learn something cool and have some fun. To that end, I intend to structure the coin so it does not pass the Howey test and is in no danger of being labeled a security. We may need to launch a Kickstarter to raise some money so we can hire Token Deck, Espeo, or IcoBox to take care of the details.
Whether or not I buy into CBS All Access, I will probably be buying this soundtrack. The music of Trek – except for the abomination of Enterprise – has always been hand in hand with it’s basic message of boundless optimism and grand adventure, about journeys rather than destinations.
For no other reason than I love it, here is my favorite musical segment of all Trek: the Battle in the Mutara Nebula.
I honestly don’t know how I feel about this. Cue the half-finished gas-giant-based super weapon with an orbiting planet full of cute aliens, a huge space battle and a climactic light saber battle where Rey defeats Kylo WHO IS HER BROTHER OMFG and then Kylo embraces the light and throws Snoke down a well.
Then again, JJ is coming in late so hopefully the script will have been fixed by the story group and not be as vulnerable to JJ’s flights of fancy, or lens flares.
If it sucks, we can always say it was an alternate universe and go back to Extended Universe for our head canon.
OK, I understand the idea behind the visual redesign. It’s 2017, not 1967. And the showrunners opted for Prime universe rather than Kelvin to preserve creative independence from whatever the movie franchise is doing. They do, however, want to appeal to the audience that the new movies in the Kelvinverse have recruited. Therefore: lens flares and Apple Stores.
But really, hairless Klingons? With a H.R. Geiger armor aesthetic?
It’s not like we haven’t seen the 60’s aesthetic embraced by modern television. Deep Space Nine went there and did it brilliantly – they arguably made the TOS USS Enterprise look even more gorgeous than any of her successors, and they didn’t change anything about her at all – just lighting and texture. Enterprise itself managed to authentically portray a pre-Kirk technology chic that had a more industrial feel, which was utterly believable as the ancestor to the softened look of the Kirk era. I do not accept that the Kelvinization of the Prime timeline was necessary to modernize the production. After all, the aesthetic of The Expanse and Dark Matter is thoroughly modern but doesn’t have the same Kelvin fascination with chrome and glass. Not that I want any Trek to go the grunge-fi look, but I do at least want Trek to honor it’s own identity. This feels like a rejection – purely a Han shot first decision.
Unless directly contradicted on screen, I think that my own headcanon about First Contact creating Enterprise can be amended here to argue that Discovery is in a Beta timeline. The Prime timeline was TOS/TNH/VOY/DS9, but the events of First Contact created the Beta timeline, and the Kelvinverse is an alternate reality branching from the Beta timeline.
Some may dismiss all this timeline canon angst as pointless, but since time travel and timelines are literally a backbone plot of the Star Trek universe, this is a legitimate area of fan analysis.