This is official concept art created for the earlier version that would have been directed by Colin Trevorrow. Images have leaked online via https://twitter.com/DRMovieNews1/, which provides the following descriptions:
Force Ghost Luke blocking Kylo Ren’s saber with his hand
C3PO comforting a damaged R2
Rey being trained by Luke
Kylo Ren fighting Vader
Rey (with double bladed saber) fighting Kylo Ren
Rey taking out Stormtroopers
Hux commits suicide with a lightsaber after Coruscant falls to the Resistance
Leia delivering a message to BB-8 (callback to A New Hope)
C3PO & R2 exploring the Coruscant ruins
The Falcon lands on a new planet
The First Order resuming control over Coruscant (pre-defeat)
Finn yelling “REY!” during a battle scene
The Final Battle on Coruscant
The script itself was leaked and discussed by Robert Meyer Burnett in the following video:
Trevorrow was fired by Lucasfilm Kathleen Kennedy, who also was behind the director change for the Solo movie for similar reasons of “different vision.”
Spoilers below the fold. My thoughts on the movie to follow later, and it’s not a spoiler to say I personally loved it. Also, the image on this post has nothing to do with the contents. It’s just bad-ass, so I’m including it.
NBC Universal’s new streaming service will be called Peacock. It seems they have decided to go the mix of old content/new content route like everyone else, which is understandable. Less so is this:
The streaming service will offer a slate of original series from showrunners who have worked with NBCUniversal on a series of other shows, including Mike Schur (The Good Place, Parks and Recreation) and Sam Esmail (Mr. Robot). Schur will oversee the reboot of comedy Punky Brewster for the service, while Esmail will handle a reboot of beloved sci-fi series Battlestar Galactica.
All this has happened before, and will happen again.
it’s not even thursday yet, and i have to deal with this?
Hulu is developing a TV series adaptation of the novels from prolific showrunner Carlton Cuse (Lost, Tom Clancy’s Jack Ryan, Locke & Key) and feature writer Jason Fuchs (Wonder Woman, Ice Age: Continental Drift).
Cuse and Fuchs, both fans of the iconic title, will write, executive produce and showrun the proposed series, a modern updating of the classic story now in development at Hulu via ABC Signature and Cuse’ Genre Arts. Fuchs is writing the pilot script.
considering that the last reboot seemed to have been conceived by Ark B types, my expectations are as low as a Poghril’s morale. But fine, whatever. I always have the radio scripts – of which the latest radio sequel was superb (and the audiobook of Colfer’s sequal was even better).
The recent BBC adaption of Dirk Gently was actually pretty good, though it had a Game of Thrones/LOTR like relationship with the source material. If anything I’d rather see more development there than yet another swing for the Heart of Gold. But hey, these guys are fans of the material, who knows. No one can take the radio scripts away from me, at least.
On June 5th I had the chance to visit Star Wars: Galaxy’s Edge. First on my list was a stop at Savi’s Workshop.
Who is Savi, you ask? Savi is a friend of Lor San Tekka and is a fellow member of the Church of the Force. I think. What do you mean who’s Lor San Tekka? That old guy Kylo Ren killed at the beginning of The Force Awakens? The Three-Eyed Raven? Yeah, that guy. It doesn’t matter. You don’t see him anyways. You do, however, interact with his followers, the mysterious Gatherers who will guide you in the ancient ritual of lightsaber building.
I walked swiftly asking directions towards “scrap metal”. Don’t say “lightsaber,” for the First Order is in town and such talk is frowned upon. The Gatherers take this very seriously. Everyone in the land is in character. And so you wait in line in an amazingly decorated scrapyard to pay for your scrap metal.
While in line to pay, some of the gatherers will show you cards with examples of four basic styles of lightsaber.
Peace and Justice: Visually these are the most like the sabers carried by many of the stereotypical Jedi during the era of the Republic in the prequel Trilogy. Obi-Wan and Anakin have similarly styled weapons.
Power and Control: This style evokes the blades carried by the bad guys. The aggressive styling and the red accents are reminiscent of Darth Vader and Darth Sidious.
Elemental Nature: Made from natural materials like aged leather, intricately carved bone, wood paneling, and even a rancor tooth. The materials symbolize the Force’s connection with nature.
Protection and defense: My personal favorite and the style I elected to construct. These are ancient unearthed pieces from the time of the Old Republic. The components are almost ceremonial in nature, some of the segments even containing writing from the Sacred Jedi Texts.
After you pay your $199.99 plus tax you must choose one of the four styles of lightsabers. You are given a card, a cloisonné pin, and a return time. You are instructed to wear your pin in a visible location (the design is different based on what style you chose) and to act dumb if the First Order asks you about it.
As I was close to the front of the line for my particular reservation period, I had about 20 minutes to wander the land. When I returned at the appointed time, I was led to a waiting area.
All the while you are warned that the First Order could show up at any time. And they do. It wasn’t long before Kylo Ren and some First Order Troopers swung by on “routine patrol” for some casual interrogation.
After assuring them that we were simple scrap traders they moved on to other victims. Following the short interrogation by troopers we were ushered into the actual workshop. This is where the experience went from fun roleplay to absolutely magical.
Austin Habershaw does the unthinkable: posits that Star Trek and Star Wars are part of the same universe. Along with Warhammer 40K. Lest you fail to click, reader, I will only cite one line, the worst line, the best line:
Humanity did it – it conquered the stars – only to discover that the stars are a terrible, cold place where war in unending and death assured.
The last time I was really excited about a Star Trek movie, it was Generations. I had missed The Voyage Home in the theaters, being only 12 years old, So The Final Frontier was my first theatrical Trek, which completely underwhelmed. I dutifully trekked out to watch Undiscovered Country, but had no real interest because TNG had already been on TV for a few years and completely replaced and redirected my Trek fandom. (Worf’s grandfather was a nice cameo, but that was about it). Generations, though, was the Big Thing. It was going to be everything I ever wanted – old Trek, new Trek, Kirk and Picard. Even the absence of Nimoy and Kelley didn’t dampen my enthusiasm. While I was watching it, I kept trying to convince myself how awesome it was. But at the end, even the (admittedly, magnificently executed) set-piece sacrifice of the Enterprise-D just felt like a tired retread of what Trek had done before.
Afterwards, I watched the new movies just as dutifully, but more out of obligation than anticipation. First Contact just turned me off entirely, packing too much Borg retcon and comparing poorly to Deep Space Nine, which was doing exciting and insane things. Poor Worf just looked bored and eager to get back to the station. I didn’t even bother watching Nemesis, predicting (correctly) that it would be a retread of Khan; and they didn’t even give us a primal yell moment. I ended up watching Nemesis on a plane and didn’t feel like I missed anything.
I keep using the word retread for a reason. The next batch of Trek movies set in the Abramsverse felt like they were trying too hard to make Star Trek into Star Wars. Couple that with the massive retcon underway with Enterprise, and it felt like there was just no real Trek left. And of course, they did a retread of a retread, with Kirk and Spock and Khan all over again, which just felt like an insult.
Beyond changed that. It was comfortable in its own skin, it was fun, it felt like Trek. But it was too late. And because Hollywood is expensive, and actors have contracts, and movies have to compete with other ones, the long march to finally getting a good Trek movie was just unsustainable. There will be no Trek 4:
As of now, Star Trek Discovery is apparently delivering action-packed Star Trek-worthy thrills on CBS All Access while Seth MacFarlane’s The Orville is going the topical sci-fi and talk > action interstellar adventure route over at Fox. Not only is the Bad Robot Star Trek franchise not the only (or biggest) Star Wars-type series in town, it’s not even the only major Star Trek option for fans and general consumers. And with Chris Pine and Chris Hemsworth apparently refusing a pay cut (from contracts foolishly negotiated before Star Trek Beyond opened), Paramount had little choice but to walk away from a movie likely to cost as much as Transformers but earn about as much as Bumblebee.
And I am really, 100% positively, absolutely okay with this. Chris Pine has better things to do than to play Kirk, and that’s fine. Quinto’s Spock was cool, but Spock is like Superman – more of an archetype than tied to any one actor. And the “new” Enterprise could never really compare to the old one, especially when we get to see her again in all her modern television glory at last.
If not for Beyond, I’d be saying good riddance to the Star Trek movies. Instead, I am saying Rest in Peace. Star Trek is best when it has time to develop its characters, craft its message, and take its time. Star Trek is about exploring the human condition, with space as a proxy, in the best tradition of science fiction. It never wore the mantle of blockbuster thriller all that well.
Star Trek belongs on television. With Discovery, the upcoming Picard show, and even Orville out there – the ethos of Trek is alive and well, on the small screen. The next generation of Trek is back home.
Clearly Netflix is cleaning house, since this follows surprise cancellations in October of Iron Fist and Luke Cage. That just leaves Jessica Jones and The Punisher on Netflex’s roster of Defenders. Both have new seasons in the pipeline that are currently slated to air on Netflix as planned, according to Deadline’s sources. But they will, in all likelihood, be on the chopping block eventually as well.
This is disappointing, because the realization of Daredevil and Punisher in particular has been absolutely sublime. In an era where we have actors signed up to play characters for a decade in the movies, only getting half as much time with these characters on television feels like being shortchanged, even though we have on balance many more hours of actual screen time with them.
I am hoping that Daredevil at least has a cameo in the upcoming Punisher season. Jessia Jones is an interesting character but doesn’t have the raw resonance of the duality between Frank and Matt, who are in a way the true reflection of Batman vs Superman (even though Daredevil’s philosophy is more Batman-esque, but there isn’t supposed to be a perfect mapping here). These two characters have enormous potential and they at least should be prioritized to survive. The Netflix heroes were never allowed to break into the cinematic universe, despite obvious hooks (Luke Cage at least mentioning Wakanda?).
The Disney streaming service is going to have a lot of Star Wars and MCU filler. It would be incredibly shortsighted of them to abandon Daredevil and Punisher and the rest of the heroes. They are far meatier than anything proposed thus far.