Studio Ghibli is producing an anime version of Ursula K. LeGuin’s classic science fiction series, The Legend of Earthsea. It is being directed by Moro Miyazaki, son of the legendary Hayao.
For a fan of science fiction alone, this would be incredibly exciting news. As a fledgling otaku my anticipation can now extend along the anime axis as well! Of course there is no guarantee that the junior Miyazaki is as talented as the father, nor is there any guarantee that a piece of literature will survive the transition to film. Bicentennial Man was a real stab in the heart for Asimov purists, and I’ve ranted on the H2G2 movie before. But there are successes – witness the glory that was Blade Runner (an adaptation of Philip K. Dick’s Do Androids Dream of Electric Sheep?). I think that the anime format suits the subject matter far better than live-action and have high hopes indeed.
Most of those high hopes being fed by what I’ve already seen of the film, of course. You can view the trailer as a Flash movie at Ghibli.net or at YouTube.
There’s also a production blog (translated by Nausicaa.net).
I don’t have as much time to read fantasy and science fiction as I did when I was younger, but I would like to recommend two series which I stumbled upon over the past few years and which I just completed.
Jaqueline Carey’s Banewreaker and Godslayer comprise a slim duology which can be fairly characterized as LotR from the vantage-point of Mordor. The correspondences to Tolkien’s narrative are pretty clear and transparent, Carey hits you over the head with her themes. This would probably have been better as a singleton, there just isn’t that much material to work with, and the characterization doesn’t explore new directions in the second book. Nevertheless, it is a nice and satisfying corrective to the Fundamental Attribution Error which crops up in the work of Tolkien and his children, evil is essentialistic in a character, not a function of their circumstance. In some ways Carey’s work has a closer affinity with Greek mythology, with its Prometheus like Sauron equivalent. In contrast Tolkien might not have been totally delusional when he stated that LotR was “fundamentally a Catholic work” in that his cycle did not explore the messy shades of gray which comprise such a vast arc of human experience.
Where Carey’s work is a standard inversion of Tolkien’s narrative, R. Scott Baker’s Prince of Nothing trilogy takes the classic core of high fantasy and the Evil Lord and smokes it with some crack cocaine. If there was ever a sequence of books laced with the sensibility of the cognitive revolution, this is it. Baker is a philosopher by training so I am not totally convinced that the influence is coincidental. If you want a “hero” who brings you down to earth with his lack of idealism, then this is a good series. The last of Baker’s books in the trilogy has a 50 page glossary so he certainly hasn’t stinted on world creation. But with the sharp crispness of the backdrop and the overindulgent prose the many strands of each character can sometimes get knotted, and Baker’s inattention leaves you without a guide out of this undiscovered country. Unfortunately Baker’s “trilogy” is actually the first three acts in a longer cycle, with book 3 prefacing an intermission. The real action on the grand epic scale is clearly to come.