on anime-blogging

Shamus notes with some amusement that a large number of political bloggers are now blogging about anime.

I can attest to the fact that political blogging is draining. I was never a fan of the partisan scalp hunt. Lately I have just lost interest – especially given it all seems to make no difference in teh end. I find myself fighting the same battles over and over again.

I have long had a passion for science fiction, and Steven opened up a world of anime that I can enjoy with my daughter as well. This stuff is fun to talk about. Let other people handle the jihad or crusade or whatever. This just suits me better right now.

Circles: Glie

Of all the recurring symbolism in Haibane Renmei, that of the circle is the most intriguing. This will be a series of posts. Thefirst of these is teh circle of Glie itself – or rather, the existence of the Haibane.

The circle of Glie is not a physical one that appears on screen, but is implied – the circle of life, death, and rebirth. All Haibane had a previous life, they were then reborn from a cocoon into Glie. The cocoon is the womb, and the painful eruption of the wings is the first draw of breath as a true Haibane.

more, including spoilers, below the fold…

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Galactica

I see that my favorite television show, Battlestar Galactica, recently won a Peabody award, a first for the Sci-Fi channel. It’s good to see such a fantastic show with such exceptional writing, acting, and directing getting noticed. Is it too much to hope for an emmy? There are several on the show who I think would be worthy, but in particular James Callis (Dr. Baltar) should be singled out. He’s been so absolutely and utterly brilliant. I’m not sure anything quite like his performance has ever appeared on television.

Douglas Adams and God

What is especially striking about the Hitchhiker’s Guide to eth Galaxy is how insightful it can be on matters of religion, given that DNA was(inhis own words) a militant atheist.

I had the privelege of asking Douglas Adams a question about religion directly, at his own blog some years ago. The full exchange went:

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The humour is the medium

The Hitchhiker’s Guide to the Galaxy movie was a travesty. And it’s entirely because they tried to capture the humour of the series – which comes across beautifully in print and on the radio – without acknowledging the realities of the medium.

Consider that most of H2G2 is simply untranslateable to film. I mean, how on earth could you justify the following scene? (wherein Arthur debates with Prosser about the official plans to demolish his house) :

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opening credits

via Shamus, here’s the opening credits for Haibane Renmei on YouTube:

The momentary glimpses of each character really give you a sense of their styles and personalities, especially Reki. And the music accompaniment is enchanting – the theme stays with you. I am also very fond of the opener to Sugar now, though in contrast to HR it tells you almost nothing about the characters at all. Excepting Greta, that is. I did however cringe the first time I heard that doo wop chorus, though…

I have to disagree with Pixy that most live-action openers are focused on the characters, however, at least for science fiction. The opening creds for BattleStar Galactica are a good example of an OP that really establishes the visual style, and atmosphere. That’s not surprising given that Ron Moore, the producer, also did Deep Space Nine – a series whose opening credits were basically a visual ode to the space station itself, as the main character. Not since the scene from Star Trek: The Motion Picture, where Kirk takes a visual inspection of the refitted Enterprise has such devotion been paid to a thing on screen rather than a person. I think that science fiction shares with anime the need to sell the setting and mood as much as the characters. In that respect, the opener to Galactica is very anime-esque.

Steven noted that the opener/closers may suck for good series, but has anyone observed a very well done opener and closer for a terrible series? Maybe the rule works only in reverse.

Suuuuugar Baaaaaaaby-dolllll

well, that’s how every episode of Sugar: A little Snow Fairy opens. My almost-four year old says this about a dozen times a day now.

Overall, the series started out slow, and then kept layering on the character development piecemeal until by the end you really felt you knew them, without consciously realizing how attached you were. This is different from Haibane Renmei where the main characters are immediately captivating – in fact, for the first 30 minutes of disc 1, I rather disliked Saga.

This post is kind of a compilation of some of my observations from throughout. Continues below the fold…

Continue reading “Suuuuugar Baaaaaaaby-dolllll”